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-- tightcup.com all things blues and blues harp skip to content home about us gallery lwbc lwbc store forum contact ← older posts how pads can benefit harp players posted on 08/30/2017 by randy landry what is a pad? in the electronics world, a “pad” is a circuit that lowers the amplitude of a signal while providing a fixed impedance, or load, in both directions. there are, of course, other ways to lower signals, such as a voltage divider, which is a series of resistors to ground (think of a fixed volume control). the problem with this circuit is that it is directional, one way in and one way out. if the direction of the signal is reversed, the impedance of the network changes. what makes a pad different than a voltage divider is that a pad has the same impedance no matter which direction the signal flows; it is bi-directional. the mojo pad, for instance, maintains 1 megohm of resistance in either direction. the 2 most common types of resistive pads are the “t” pad and the “h” pad. the t pad is used in unbalanced networks such as a high impedance instrument cables and the h pad is used in balanced networks such as xlr cables. why a pad should be considered when playing amplified harp when a harp player chooses to play amplified he will typically cup a microphone and plug the microphone into a guitar amplifier. as soon as the musician begins to turn the volume up on the amplifier, the monster that is feedback is awoken and begins its hideous howl. everyone turns to give the harmonica player the “evil eye.” so, why is this happening? well, that guitar amp is not designed for the relative high output of a microphone; it is designed for the much lower output signal of a guitar pickup. as a result, the amplifier has an abundance of preamp gain (exactly how much varies from amp to amp). this problem can be dealt with in a few different ways such as replacing the preamp tubes in the amplifier with lower gain tubes, lowering the volume on the microphone, or placing a pad in line with the microphone cable. the first solution requires the purchase of the tubes and the knowledge of which tubes to replace; this is a good solution if the performer will always have his amp available. the second solution works but it is a little harder to manage with any accuracy. the third solution results in a very small device that is easily placed in line with the microphone cable and can be used with any amplifier where excessive preamp gain is causing an early onset of feedback. pads have values, what value pad should i use? the optimal pad value will allow you to place the amplifier’s volume control in the upper quadrant of its range before feedback becomes a problem, say from 8 to 10. how much padding is needed to achieve this? well, it depends on two things: the output level of your microphone and the amount of preamp gain in the amplifier; both can, and do, vary wildly. on average, a 20 db pad will be appropriate; however, for a particular amplifier and microphone combination, 10db may be better. it depends on the particular pairing of microphone and amplifier. what about tone? next is tone. because tone means different things to different people, i will define tone as a musical sound with reference to its pitch, quality, and strength. when you use resistive padding for an audio signal, there will be a slight roll-off of the high frequencies resulting in a “darker” tone, and this is often desirable to harmonica players. there is, however, a negative to high frequency roll-off. with a darker tone, it will be harder to cut through the mix and be heard by your audience. the solution is a bypass capacitor that will allow some highs to bypass the pad. the result is a balanced and natural harmonica tone where the highs are now reduced by the same margin as the lows. ask before you buy so, if a pad is for you, here are some considerations. a pad should be passive device (not requiring power), it should have at least 1 megohm of resistance in each direction, and it should be small and convenient to use. before you buy, be sure that the pad is bi-directional and ask what the impedance value is; also consider a pad with a high bypass cap. if you would like to more email me, [email protected] or contact us at [email protected] my name is randy landry, i am an electronic technician by trade. i own and operate lone wolf blues company, where we make effect pedals and amplifiers for harp players. posted in tools of the trade | tagged anti-feedback , feedback , harmonica , harp , mojo pad , pads | comments off on how pads can benefit harp players tightcup podcast episode 2 : jason ricci posted on 06/05/2017 by nathan heck http://tightcup.com/podcast-player/1255/tightcup-podcast-episode-2-jason-ricci.mp3 download file | play in new window | duration: 13:18 jason ricci joined nathan heck from lone wolf blues co. to discuss a variety of topics including gear, harmonica players, jason’s new album and pets. the tightcup podcast is a new series we are starting at lone wolf. we will be interviewing people from around the harmonica community and cover a wide range of topics. the intention is for these podcasts to be released biweekly. jason ricci is one of the most exciting harmonica players in the world today, and he is also one of the most enthusiastic members of the community. he joined nathan heck from lone wolf blues co. to discuss a wide range of topics. due to the duration of the podcast, the episode was trimmed and cut into two halves. this episode represents the second half of the recording. in which, jason and nathan discuss gear, pets and more. you can find the first half here . please note that this podcast was recorded a few weeks before it was released. in the meantime, kim wilson won a blues music award for instrumentalist – harmonica and jason and his wife, kaitlin dibble, were married. the next installment will feature a discussion with jason ricci, andy kurz (bass – the bad kind) and nathan heck. jason and andy talked at length about the recording process, touring and a host of other topics. tagged harmonica effects , harp effects , jason ricci , lone wolf , lone wolf blues co , ricci | 2,615 comments tightcup podcast episode 1: jason ricci posted on 05/19/2017 by nathan heck http://tightcup.com/podcast-player/1249/tightcup-podcast-episode-1-jason-ricci.mp3 download file | play in new window | duration: 18:51 jason ricci joined nathan heck from lone wolf blues co. to discuss a variety of topics including gear, harmonica players, jason’s new album and pets. the tightcup podcast is a new series we are starting at lone wolf. we will be interviewing people from around the harmonica community and cover a wide range of topics. the intention is for these podcasts to be released biweekly. jason ricci is one of the most exciting harmonica players in the world today, and he is also one of the most enthusiastic members of the community. he joined nathan heck from lone wolf blues co. to discuss a wide range of topics. due to the duration of the podcast, the episode was trimmed and cut into two halves. this episode represents the first half of the recording. in which, jason and nathan discuss a variety of harmonica players, jason’s new record and a few other topics. please note that this podcast was recorded a few weeks before it was released. in the meantime, kim wilson won a blues music award for instrumentalist – harmonica and jason and his wife, kaitlin dibble, were married. the next installment will contain more discussion between jason and nathan, including the topics of gear and pets. we hope that you enjoy the tightcup podcast, and we intend to post these regularly. tagged bad kind , episode 1 , jason ricci , lone wolf blues , podcast , tighcup | 2,351 comments introduction to studio harmonica work, part 3 posted on 08/19/2015 by randy landry an introduction to studio harmonica part 3 in parts one and two of this series i described what being a studio harmonic

URL analysis for tightcup.com

http://tightcup.com/tag/ricci/
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http://tightcup.com/introduction-to-studio-harmonica-work-part-3/
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http://tightcup.com/podcast-download/1255/tightcup-podcast-episode-2-jason-ricci.mp3?ref=download
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Whois Information

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Domain Name: TIGHTCUP.COM
Registry Domain ID: 1861873012_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.godaddy.com
Registrar URL: http://www.godaddy.com
Updated Date: 2015-05-19T21:08:01Z
Creation Date: 2014-06-07T01:44:42Z
Registry Expiry Date: 2019-11-17T11:59:59Z
Registrar: GoDaddy.com, LLC
Registrar IANA ID: 146
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: 480-624-2505
Domain Status: clientDeleteProhibited https://icann.org/epp#clientDeleteProhibited
Domain Status: clientRenewProhibited https://icann.org/epp#clientRenewProhibited
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Domain Status: clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited
Name Server: NS37.DOMAINCONTROL.COM
Name Server: NS38.DOMAINCONTROL.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2018-08-24T17:48:07Z <<<

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  REGISTRAR GoDaddy.com, LLC

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =tightcup.com

  PORT 43

  TYPE domain

DOMAIN

  NAME tightcup.com

  CHANGED 2015-05-19

  CREATED 2014-06-07

STATUS
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  NS37.DOMAINCONTROL.COM 216.69.185.19

  NS38.DOMAINCONTROL.COM 173.201.76.19

  REGISTERED yes

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